Sherborne Cottage

Every now and then I do something a little different on this blog, and I'm sure today's picture qualifies as that. It is always my objective to add a little artistic flair to my pictures, and this is normally achieved using HDR techniques, which I am very fond of. Today I have gone for a watercolour presentation of an English cottage, which I created in Topaz Simplify 4. There was also a lot of additional work done in Photoshop to 'fix' issues created in Simplify.

I have had the original photo on my hard drive for a little while now, but was inspired to create a watercolour version of this photo after seeing various paintings of summer cottage scenes. Though it was actually February when I captured this picture, it was taken on a bright sunny morning, so was able to give it that summer look (albeit the bare tree on the right).

The Smugglers Inn

Recently, I have been experimenting with merging different exposure brackets together, without using Photomatix or any other tone mapping software. Particularly I have been using LR/Enthuse (somehow I had not heard of this before), which blends together multiple exposures in Lightroom, without the tone mapping process, allowing for a more clean image to be merged. The resulting photo needs to be further post-processed (as normal) but you can get a very pleasing result.

Now today's picture is not a merged image of any kind, it is from a single RAW file. I was planning to post a set of photos which had been either merged in Photomatix, LR/Enthuse or not at all, but I wasn't happy with any of the results, which probably says more for the picture I was trying, than the actual techniques. So that little experiment will have to wait, but in the meantime this is an image from Osmington on the Dorset south coast. I took this while staying in Sherborne recently, though of course we took a bit of a trip for the day to visit somewhere further afield in Dorset. I didn't actually take many pictures that day, largely because we had our dog let loose running around the south coast, but it was a lovely day nonetheless. This pub is a very popular spot around Osmington, probably because 'watering holes' are few and far between along this part of the Jurassic Coast. It's a fantastic little place though, full of character and charm. I actually did most of the post-processing work on a different picture in this set of brackets, but then copied them over in Lightroom to this version, and preferred this one ever so slightly more (was a bit sharper more than anything).

HalewoodPhoto.com

I have plugged on Facebook and Twitter recently my new interior design photography website HalewoodPhoto.com. It's more the business aspect to my photography, rather than the hobby side (which is this blog and HalewoodPhotographic.com), but nevertheless I will be blogging in the near future, some of my more favourite images from my interior design exploits. I welcome everybody to have a look at my new website and tell me what you think. Until next time...

Speed

My blogging output has not been very consistent recently. I would like to pretend this has nothing to do with me acquiring a new smart TV with a Netflix subscription, but that would be an absolute lie. Nevertheless, here is another picture from my recent trip to Sherborne in Dorset.

This was taken the same evening as my last picture, though obviously slightly earlier. I did picture this scene during the red sky period as well, but I felt the timing with the cars and the sharpness was better with these early evening shots. It is an HDR of course, taken from 5 different exposures. The bus trail is taken largely from 1 of the exposures but I used elements of all 5 exposures in the final picture.

I've been posting quite a bit recently on my Facebook page, as I still want to build my following there. I love the fact as well that you are largely introducing your work to non-photographers, and it is great read their reactions to the photos. I wrote a piece recently about creating better iPhone photos and was asked if I could provide a guide on how to create better pictures with SnapSeed. I will therefore produce a guide to using SnapSeed and post the link up in the very near future.

Inside Sherborne Abbey

Rural Dorset and Somerset is where I have been staying for the last 3 days, very near to the town of Sherborne. My wife and I stayed in a beautiful cottage, and of course it gave me the opportunity for me to explore this part of England with my camera.

Today's picture is funnily enough one I took today. I can't think of a more glorious opportunity to picture this glorious abbey, when no other people were present, and a place that is fine with you taking photographs! I even had the tripod set up and everything, I genuinely could not believe my luck. The abbey itself is amazing, the only thing I have not been able to capture more of in this photograph is the highly decorated and detailed ceiling, but another time perhaps.

The JPEG Monster

So here's a fun story for you photographers out there. The HDR picture above is taken from 4 JPEG exposures. I did not realise this until I had already created the HDR. Of course I did not mean to shoot in JPEG, but I was in such a rush to get the photos, that I know I held one button on my D700 too long and flicked another one at the same time. Now I was sure I must have changed the settings somehow accidentally, but I was so careful to avoid the ISO Monster (Definition: where you adjust the ISO to a high setting for one particular photo, and forget to turn it back) that I did not realise my file settings had been changed from RAW to JPEG.

The only saving grace about shooting these exposures in JPEG is the fact that I did bracket the shots, meaning I could blend them together in Photomatix, and still cover the dynamic range. Had I wanted only a single image from this, adjusting all the shadow and highlight details from a JPEG would have been very difficult. So knowing I had used JPEG settings for this HDR, my post-processing after Photomatix was very minimal. I did a tiny amount of layer-masking, and figured I could probably get away with another edit in Nik Color Efex 4. All in all, I think it was lesson learned and disaster averted.