The Miami Sunset You Can't See

Film critics have often said that what you can't see in a scene, is often more important than what you can. Hitchcock was a master of this, though it was also used to great effect in the movie Se7en (I even wrote it like it is on the DVD). You know the 'What's in the box?!' bit at the end. I would write spoiler alert there, but if you haven't seen it now, well you really should have, it's nearly 20 years old. Now I know it's completely unartistic to point out features like this in your own work, but then I don't really think of myself as an artist, just a guy trying to capture the scenes of the world that capture my imagination. This will probably backfire on me one day, when I insist I want to be treated seriously as an artist, man. I think I'm way too grounded and down-to-earth for that though.

Miami in February is certainly a more attractive place to be than the British Isles, though I'm not an anti-winter person. It certainly has it's charm and beauty, though the typical day here is 9 times out of 10 a dreary, wet, overcast, cold one. I'm not a great fan of Big Brother (the TV series) but I could not help but LMAO (!) when Jermaine Jackson came to Britain a few years ago on Celebrity Big Brother, thinking it would be a snowy, fairytale-like land in the winter. Oh, when will the world learn!

So anyway, the beauty of being in Miami in January/February is the summer-like sunsets you can get, that are months away in Europe. I was lucky enough to be treated to a boat trip around the Miami Bay area the evening of this picture. As a photographer, this means you won't be getting the crispest, super sharp shots, but you can certainly get pictures that would not be possible from other vantage points. The sun was going down way over my right shoulder and was reflected beautifully in these 2 buildings. It took a while to grow on me I think, but it is perhaps now my favourite shot from my Miami trip. It is a single image, processed nearly entirely in Lightroom, with some minor clean up work done in Photoshop.

f/6.3 / 92mm/ 1/100sec / ISO 400