Making Progress

The continuation of learning is an essential discipline within any art form, as it ensures not only that you continue to improve, but that you can adjust and stay relevant as well. I have been focusing a lot on improving my photography this year, and that means having delved myself into a fair few books and video tutorials. The photo above is a picture I have processed today, from a shoot I did in January last year (from the Newbury Marina). The version below is one I processed and posted this time last year. Please click on either picture and use the arrows to compare between the two.

If you are like me, I think you will feel that the first version is a clearly more satisfying picture than the 2nd. Without becoming too modest, I am very happy with the result today, mainly because it shows that I am improving, nearly 4 years after I produced my first HDR image (I'm even embarrassed by some of the elements in the 2nd picture). I don't mind admitting my influences, a lot of my improvement recently has come from video tutorials purchased from Glyn Dewis and Jimmy McIntyre, who have really shown me new techniques to use in Photoshop, and helped me realise where I have been going wrong previously. In Photomatix for instance, I never really had an idea what the purpose of the sliders were, and what the objective of Photomatix should be. I just knew which sliders I liked using. Now I clearly know what I'm trying to achieve in Photomatix (a balanced look without pushing any sliders too hard), and how to get there.

As I stated on Thursday, I was looking to do a blog recently on LR/Enthuse, and how to get a good dynamic range without using HDR. However, every time I feel like I'm moving away from HDR, I am always hooked back. I think it will always be this way. I am convinced now more than ever that understanding HDR techniques can truly make the best possible picture, despite the pro's who still argue against it. Whilst I will of course continue to explore many different techniques and ways to get quality pictures, my long journey with HDR has just taken a new turn.

The Photography Show

2014 sees the launch of the first ever 'The Photography Show', perhaps seen as the UK's answer to Photoshop World. I attended this event on Sunday and can absolutely confirm it is like DisneyLand for photographers. Not only did it feature representation from many of the big photography companies, there were many of the world's top professionals present to offer photographic advice, and provide inspirational stories.

Nikon and Canon predictably had rival giant stands at each of the entrances, though there was also a huge presence by Adobe, Panasonic and Olympus. Adobe had many classes on throughout the day, more than I unfortunately could attend. I made it an absolute must to catch up with Mr. Tricks himself Glyn Dewis at his presentation 'Pro retouching using Photoshop'. As usual, Glyn was present to offer a short but plentiful burst of techniques using Photoshop, and of course there were some things I simply did not know, but cannot wait to start using. There is 1 photo in particular from my recent Dubai trip, that I have been holding back because it has an 'obstacle' let's say with it, but having watched Glyn's seminar yesterday, I think I now have the solution.

It was great to see some of the companies I have been following for a few years now such as Smugmug and Topaz, though I was quite surprised by their small presence. A smaller company making it's presence felt was DXO, an upcoming rival to Photoshop, or so they would have us all believe. Their software does certainly seem impressive and was well demonstrated by the charismatic Hector. I have since downloaded their products to trial, and well we shall see how I get on with it.

Perhaps the highlight of the day was watching a seminar by the legendary Joe McNally. Although I am not too familiar with his work, it is not hard to see why he is so admired. He took time to come and meet some of his audience (such as myself) before the show, and his speech featured many great photos along with the stories behind them. It was a wonderful insight into his career and his philosophy as a photographer, and one you could not help but get inspired by. It was a genuine real pleasure to see him speak, and I recommend it to anyone gets the chance.

A wonderful footnote to the Joe McNally experience, was learning today exactly who the guy sat in front of me was. I was sat in the 2nd row, behind all the special guests and Joe especially was delighted to see the guy in front of me, and they conversed for a couple of minutes before the show. Joe introduced his assistant to the man in front of me saying 'this is Steve McCurry'. Joe also mentioned him during his seminar (they both worked for the National Geographic) and I kept thinking to myself 'I'm sure I have heard of Steve McCurry' before, but I could not think where. So I googled his name today, and was shocked but pleasantly surprised to learn that the guy sat in front of me was only the guy who pictured the world famous 'Afghan Girl' photograph, perhaps the most famous photograph of modern times! Had I realised that at the time, I would have definitely introduced myself and said hello, but perhaps next time hey. It was still wonderful to know I was sat amongst such esteemed company for McNally's talk. I really want to see and meet many other great photographer's in the near future, they are so inspiring.

All in all it was a great day out, and I only hope this the first of many Photography Shows to come. The enthusiasm for photography in the UK is enormous, and it's great that so many of the world's top professionals come to acknowledge that.

Today's picture is one I posted on Flickr last week. I want to start getting back into the social media side of things such as Flickr, as I miss the interaction you get over there. Although I love doing this blog, you have to accept that the people are at places such as Flickr, Google+ and 500px. I took this just outside Sherborne Abbey, as the sun went down.

Welcome to West Woodhay House

And welcome to my blog in 2014! I have already shared my thoughts on moving into the new year in my previous blog post, so I will not dwell upon that today.

I have previously posted a photo of West Woodhay House on this blog, but this one is much more of a close-up shot. Although the summer seems everything to be yearned for after Christmas is over, and the new year celebrations have passed, I often look at pictures like this (taken in June 2013) and remind myself, what a typical summer in the UK looks like. Now we did get a lot of warm weather during the summer of 2013, but not on the day I took this picture. It is an HDR image from 3 exposures, and though I did consider replacing the sky with a different one, I decided to keep the mood of the picture, and 'enhance' the clouds that were present.

I have gone for a bit of colour variety, as well as the features surrounding the house as well. After I merged the HDR together in Photomatix, I processed this primarily in Lightroom and Photoshop, with a dash of Topaz Adjust as well. I am back at work today (like I'm sure many others are), but at least the weekend is not far away. See you on Saturday for a new picture!

Who Sees these Interiors?

First of all, the title comes from the opening line of the Manic Street Preachers song 'Interiors (Song for Willem de Kooning). That is the only tenuous link, nothing that clever. Interior work is something that doesn't often feature in my photography, and yet is a key area I want to focus on in future. I have always loved how interior shots lend themselves so well to HDR, and the lack of a sky means that the time of the day is not so important.

If there is any photography business I could see myself going into, it would be interior design. This is simply because there are plenty of hotels, bars, local businesses and houses that require good photographic work. The main reason though, would be to bring my own creativity to these buildings, and we all know that HDR in the UK is yet to have created a big impact in the business world, as HDR real estate photography has in the US. The French photographer Serge Ramelli is a particular inspiration here, and has some tutorials on shooting interior design (www.photoserge.com).

The photo above was taken at The Swan Hotel in Bibury about 2 and a half years ago, when my main camera was the Nikon D90. It is an HDR image, taken from 3 exposures, and was taken on a tripod, which is essential for interior design photography. It means that you can shoot at low ISO, and therefore create all the light you need for a particular scene, without having to deal with noise.

You can see the image as it came out of Photomatix below, before my layer-masking and retouching steps in Photoshop and Lightroom. I used Topaz Adjust as well, to bring out more detail, perhaps lost by the layer masking process. If you click on either photo, you can alternate quickly between the 2 in the lightbox, to see the before and after changes a lot better.

Village Life Poland

Another example of 'hyper-realistic' HDR, as I blogged about yesterday. Unlike yesterday's photo though, I did not 'hyper' the sky as well. It's dangerous territory I think to apply a global effect to any post-processing technique (sharpening being another example), but of course there are pictures it will work for.

This is from a village just outside Wroclaw in Poland. My wife does not actually like me taking pictures such as this of her home country, as she thinks it represents Poland in a way (she thinks) most people think of, which is under-developed and poor. Having been several times, I can promise you it is not like that, but in fact I love these old rustic buildings, that are so hard to find in England. They lend themselves so well to HDR, as there is so much detail to capture. Therefore, another good candidate for a hyper-realistic (must stop using that word) look.

Hyper-Realistic HDR

Creating 'hyper-realistic' HDR photographs has not really been a forte of mine. Hyper-realistic means going beyond creating a realistic photograph (HDR or otherwise), and taking it into something perhaps a bit more extra dimensional. Critics tend to cause this style 'over-cooked', meaning they have taken the HDR too far. This criticism is completely justified in many cases, but I think the hyper-realistic look is one of the key looks of HDR pictures, and encourages many photographers to give it a try.

I have tended to go for a look that uses HDR techniques, but still tries to give the photo a realistic look, and not providing an image that was an unrealistic representation of the scene. However, I have tried my hand at more hyper-realistic techniques recently, to give a particular scene more edge, and yes something beyond reality. In another sense, going for a bit more detail in architectural pictures. It is important to note that the hyper-realistic look is not suitable for all HDR scenes, and I will certainly stick to my usual HDR techniques for landscape scenes, away from an urban environment.

This picture was taken on the Oxford photo walk recently, and the idea as stated above, was to give it a look perhaps beyond reality (even though of course all the details were there when I took the picture). 

I hope you like it, but in any case, let me know what your thoughts are on 'hyper-realistic' HDRs.

iPhoneography

This is undoubtedly a party I am arriving very late to, perhaps even to the point where all the other guests are leaving. However, having finally acquired an iPhone in the last month, I have added a new tool to my photographic repertoire - mobile phone photography.

When I was lured (completely willingly) into photography 3 and a half years ago, mobile phone photography was the last thing on my mind. I wanted to get the best possible images I could, meaning expensive cameras and editing software. I had been noticing though, the advances that were being made on the photo apps market, and whilst not willing to buy a phone just to have a go, now that I own an iphone, I have waded into the thick of iphoneography.

I have 3 camera apps for my iPhone - 1) Snapseed - The best, the king, the one I could not do without. It was created by Nik Software (now owned by Google), which is basically all you need to know with regards to credibility. 2) Mextures - A relatively new app I believe, based primarily on adding textures to your iphone photos. It's pretty good but only gets used occasionally in conjunction with Snapseed. 3) Camera+ - I used this app once after downloading it. I don't like it, never use it, and have no further intentions with it.

It's important to get straight, that though an iphone can take great pictures, it is not a patch on any DSLR camera (which of course it is not intended to be). I will always continue to take out my D700 for  the very best quality. What an iPhone can do though, is provide great images, whilst being a constant companion, being right there in your pocket. There has been more than 1 occasion recently (look at the black and white bridge image above for example), where I have thought 'what a shame I don't have a camera on me', only to then remember, I have a pretty good camera in my pocket.

The other good thing about iphone photos, is that once edited, they are easy to upload to Twitter, Facebook, or any other platform you wish to share them on.

Hope you like the selection of photos above and below, plenty more iphoneography to come!

Meat Specialists

I had planned to blog some pictures from the Oxford Photo Walk (part of the Scott Kelby Worldwide Photo Walk) sooner, but there has been a new addition to mine and my wife's household; a little Cockapoo Puppy called Chester. We bought the little fella a week ago, and he has given me a very exhausting week. I have never had a dog before, so this is all a new experience for me, but am thoroughly enjoying being a dog owner. Naturally, everyone who meets him falls in love with him, so we can't wait until we can take him out walking in the big wide world (in less than 2 weeks after his 2nd vaccinations).

Back to the Oxford Photo Walk though, and this easily qualifies as my first photo walk with a large group of people. It was led by Glyn Dewis, and he organised a fantastic walk and event in general, and though it is perhaps a cliché, I can honestly say I met a great bunch of people. Meeting other keen amateur photographers, plus the opportunity to visit sights in Oxford I would not have thought of myself, made the day very worthwhile. Looking forward to going on more!

One part of the Scott Kelby Worldwide Photo Walk are the competitions, and though I am not really motivated by these things, I decided to enter the picture above nonetheless (taken in the Covered Market in Oxford). Whether it is the best picture I took on the day, I don't know, but it is one of the few HDR's I took that day, and ultimately, that's what I do.

Sticking my neck out a bit now, but I have so many photos to post that are fully developed, that I do anticipate being much more active on this blog from now until the end of the year.

Old Krakow Town

Having visited Zakopane at the very edge of southern Poland, I was also given the opportunity to visit one of Poland's most famous cities, Krakow. Krakow is indeed a stunning city and was once the capital of Poland (up until the 16th Century). With so much culture and history there, it is also a wonderful place to capture some photographs.

This part of Krakow is what the locals call 'Stary Miasto' which literally translates as Old Town. Krakow has many historic churches but aside from them, the Old Town is the place to find some authentic architecture. The second building on the left (the yellow one) was the home of Karol Wojtyła later known as Pope John Paul II, between the years of 1951 and 1967.

On a photographic note, I deliberately did not 'de-ghost' the crowd outside the the Pope's home, because I felt like it lost its 'feel', it just became to static an image. Therefore, to give the impression of movement and life, I left the slight ghost movements within the picture.

Zakopane - A Photographer's Dream

There are not many places that can be called 'a photographer's dream'. Certainly Paris and Venice would be obvious examples, but normally the photographer has to work hard in any location to produce a worthwhile result. Certain locations though, give you plenty of 'raw material' to help you produce those great shots.

Zakopane is a well known beauty spot in southern Poland, and I was very lucky to get an opportunity to visit this special place, having spent the last 2 weeks in Poland. I have been interested in photographing Zakopane (officially called the 'Tatra National Park') since I watched a video of Charlie Waite, one of my favourite photographers teaching a class of Polish photographers. Here is a link to that video. In particular, after watching his video, I wanted to get close to the fast flowing streams that flow down the mountains of Zakopane, of which the picture above is the result.

It is an HDR taken from 3 images, and luckily I had the 'blurred stream' effect on all 3 RAW images. This was achieved by shooting at F/22 and ISO 100, but was helped by the misty and cloudy weather, keeping the light level low.

I returned from Poland very early this morning and have had my most enjoyable and (I believe) rewarding photographic trip of the year. Lots of photos to come...

South Beach, Miami

Just wanted to do a quick blog post today. The pictures above and below were taken from my trip to Miami in June. There are still quite a few pictures I have taken this year that I haven't posted yet, but posting (almost) daily on Facebook has helped me go forth and just publish pictures, I may have overlooked for this blog.

These picture as you can tell don't really look like photographs or HDR's, and that I would accept. Miami is of course so wonderfully unique and has a culture all of it's own (as most cities do right?), that I was inspired to create more 'arty' pieces out of these, rather than straight photos (plus it helped eliminate the heavy noise on the picture below!). This was largely achieved in Topaz Clean.

The first picture was taken outside the Art Deco centre along South Beach. The 2nd picture was taken in the Delano Club, which was once owned/part owned by Madonna. Not the cheapest club I have ever been in ($500 a table) but then I was with work, so all costs covered!

Time to Go Hard or Go Home

Perhaps it is a little lame to reference a Black Eyed Peas song on this blog, but that sentiment matches how I feel. After a few months of indecision and uncertainty, I have a new plan with my photography to keep me busy and focused.

After only a few posts, I have decided to revert from my decision to use borders. It may seem to make my words a few weeks ago a little hollow, but after using the borders a few times now, I just don't think I like it as much as the pictures without the distractions, such as borders and watermarks. Having blogged recently about my experience of having my work copied and uncredited to myself, I know this new direction of the borderless pictures again opens me up to internet image theft, but I've decided I'm prepared to take that risk now.

The only thing I ever needed was a copyright to put with the pictures. Most top photographers have this, and it ensures that you can blog and post your pictures away, knowing that if anyone was to make any commercial gain from your pictures, you can take action. I am  now registering all my photographs with the UK copyright service. This makes me much more secure about posting them online. Yes some people will still claim pictures as their own, but they could not gain much from it, as eventually they would be found out. I do not say this out of anger, it gives me a great sense of freedom now to post pictures without worrying what someone else might be doing with them.

More importantly though, I need to have a direction to take my photography in general, and as I said in my blog 'Coming Back to what I Know' the focus will continue to be HDR photography. It is simply the type of photography I enjoy creating and I want to find my way into some of the most amazing places in the UK and abroad, to fulfil my love of HDR photography. It's not lost on me that my output this year has in general been quite low, and I'm trying to ask myself why as well.

One of the reasons I think is because posting pictures online seems to be such hard work. There seems like a new social media website to become apart of every week and it is demotivating to decide which images to post on which side, and to follow that up with all the writing that goes with it. I have written on Twitter recently how I dislike the new looks to both Flickr and Google+ and I stick by that. I never had that much of a problem with Flickr in the first place (contrary to popular opinion) but now I find the changes unfocused and an eyesore. There is simply too much going on now when you view Flickr or Google+ and I have no desire to post on these sites.

Therefore, it may surprise you to learn that I am going to focus now on Facebook, where my following is only currently 44 people. The reason I want to focus on Facebook now though, is because the image quality of the photos you present online has vast improved and of course on Facebook is where you will find not only the biggest social media audience, but also my intended audience, non-photographers. I say that because although of course I love discussing photography with my photography friends, I love the reaction non-photographers have to new digital art forms such as HDR, they just really seem to love it. And of course you don't get the cynical anti-HDR attitudes as you do on specialist photography sites.

I have decided for the time being that I am going to post a daily photo everyday on Facebook. Now most of these will have been pictures I have already posted over the last 3 years, but again, the aim is to keep me busy in the photographic media world while also working on new images. If you want to visit my Facebook Photography click the link HERE. You will find another new picture there today!

I will continue with Twitter, and occasionally Google+, simply because despite my grievances, it seems that it is continuing to grow in popularity. I have finished with Flickr though and other social media sites.

So the final part is my own websites......where does that leave them? I have been searching for the answer to a great photographic website this year and continue to be unsure. You may know that as well as this blog, I have 2 photographic websites, HalewoodPhoto and HalewoodPhotographic. With money tight these days, I find now that I cannot afford to keep both, so have to pick a website to go with. I love the functionality I have with HalewoodPhoto (built using SquareSpace), and though I have stated this as my official site for a long time now, there is a reason I am verging to switch focus to HalewoodPhotographic, and that is simply image quality. On the smugmug based HalewoodPhotographic site, the images simply look better then on any other platform you can find on the internet. Now don't get me wrong, I am not a fan of how to create a website using smugmug and it is this difficulty for non-IT literate people that has kept me from focusing on it. But again, the quality of the images speak for themselves, and I am going to try and push through my difficulties with smugmug and make a permanent home out of HalewoodPhotographic. Watch this space anyway, the final decision is still to be made.

That leaves this blog. After thinking about abandoning it, I have decided this will remain my blogging home for now. I won't be posting here everyday like on facebook, but I will post new blogs on here for discussions and new pictures.

The picture below is an HDR picture I took at West Woodhay House in Berkshire (I think) recently. Last weekend it was the West Woodhay House Garden Show, and though I do not know much about the history of the house, I knew it would be a good opportunity to venture down there with my wife and take some pictures of the wonderful landscape there.

Summer by the River

Well it couldn't last really could it? We had a fairly nice spell of weather in England recently (and hey I'm an optimist but I don't think it was quite as nice as everyone makes out, still I don't complain) and sure enough just as we thought we may get a summer this year, it leaves us again. Enough of the cynicism anyway, I'm sure there is plenty of nice weather to come.

It's one of my missions this summer to capture the British countryside in the summer weather, and while that may seem ambitious, I am a sucker for a photograph of a beautiful sunny day. Such as this scene I pictured recently within the grounds of the Newbury Manor Hotel. The river that runs through it is the River Kennet, and a drink to be had alongside this river on a sunny day is not to be missed.

This is a 5 shot HDR picture, crafted in the fairly typical, Lightroom, Photomatox, Photosho process, though like most of my pictures have these days, there is a subtle touch of Topaz Adjust in there as well.

Away From the Rainbow

This may seem like a pretty obvious and easy picture, and being as I walked about 10 steps out the front door, it's not an unfair thing to assume. But rainbows are fleeting things, and knowing this probably would have gone in 2 minutes, I was not going to jump in my car and try to find a more inspiring landscape. I just wanted a picture of that rainbow!

I do need to get out more though. Not been out much taking pictures, not through lack of motivation, just need the time to find a new inspiring location. I want take lots of pictures of the British countryside over the summer time, give them the HDR/arty look, and see how good they are. I have other plans as well, but hopefully you will see some of that soon...

This is an HDR picture taken from 4 different exposures, and layer masked using the original RAW files, hence the car is not ghosted (people often ask me how it is possible to have an HDR picture with moving cars and such, and it's really not that hard). Some more new pictures coming soon.....

Coming Back to What I Know

It's been over a month since I have blogged on this website, and though I knew it had been a while, I didn't realise it had been that long! Quite a lot has happened over the last month, and while I can say there are work and personal reasons that have kept me very busy and are true, I think a lot of the reason I have been kept from blogging on this website, is perhaps a little disillusionment recently with photography.

First of all, I think I have been very confused about where I want to go with it. I had aspirations at the beginning of the year to turn photography into a profitable business, and begin doing wedding photography and other commercial avenues, but I'm not sure I have the heart or desire for it now. The key problem I have with going in that direction is that although it would be doing something for a living I love, it would still be that four letter word 'work'. I love creating artistic images and whilst working in photography would still give me opportunity to do that, I am not sure I could maintain my passion for all things photography, whilst meeting deadlines and processing dozens of commercial shots that perhaps don't inspire me. I don't want to burn my bridges here, it's still something I may go into, but perhaps I am still waiting for a different path to inspire me business wise.

At the same time I have been continuing with my online photography course, and though I do recognise the benefit it has given me as a photographer, I again am feeling a little uninspired by it now. The projects keep coming forward that I am not so interested in, and it has affected my desire to complete it. Now don't get me wrong, I will complete it, I am just saying that it too is starting to feel like work rather than enjoying my photography. I have learnt that perhaps the only photography I will ever love is the type where I am inspired to go out, get the pictures and see if I can turn them into digital work that I am proud of. This is why I think that amongst all my soul-searching, I am going to focus on creating HDR pictures more than ever, because I think this is simply the photography I most enjoy doing.

One of the big reasons I have become disillusioned with photography though, is an event that recently took place that has bothered me way more than it should. Without a doubt my most successful picture I have created is my 'Justice for the 96 picture' below. I was incredibly excited at the time I took this picture, knowing it was a unique event and that I was perhaps 'in the right place, at the right time', and spent a long time crafting it when back on the computer, to get an HDR picture that captured the atmosphere and beauty of the event.

My fellow photography blogger Tim Pursall and a couple of other people on Facebook, alerted me to the fact on April 15th (the anniversary of the Hillsborough tragedy) there seemed to be a version of my work that was doing the rounds on Twitter and Facebook, that was a black and white version of my photograph, that I had not created. This version you can see here below:

My brother quickly found who had created this version and emailed him for a response, but as I understand, has never had a response. I have followed this guy's work and can see that he is a graphic design student that takes other people's photos, puts a graphic over them and then claims them as his own work. I'm not saying I don't like what he did with my picture, but what has got to me, is the idea in my opinion, of doing very little work to it, and then putting his name on the picture as if he created the whole work. It is about lack of credibility that I dislike. I have no intention to profit from this picture, and would have had no problems had he contacted me to use it before creating his version of it. He obviously chose not to do this though, and again then claimed the work as his own. Even a simple 'Photograph by Pete Halewood / Design by such and such' would have been ok with me.

I know it perhaps sounds modest to demand recognition for one's own work, but I would stick up for any photographer whose work is being copied, and not receiving the credit they deserve. The time and inspiration photographers put into their work should be duly recognised, and though this is very often not in terms of a financial amount, they should be recognised as the artist and creator of the work, that is the very least recognition deserved.

What went on to bother me more is the extent to which his version (and which he has bragged about) has been copied onto T-shirts and used as the front cover on a fanzine.

Again, I have no wish to benefit economically from this photograph, but I don't like that none of these items bear any reference to the original work I created, and dare I say it, the fanzine is profiting from it. I know too well that in this internet age, it is impossible to get your work out there and not have people copy it and claim it for their own. I have seen it happen so many times, and it indeed is nothing new even in the midst of history. It is in fact a situation that has been paralleled with the sowing of seeds on a farm, i.e. the birds will get some. But what happens when you go chasing birds? You leave the field. I am surprised to the extent that some well established photographers have chased 'small birds' who may have used their work for some purpose, but at least now I understand the annoyance behind it. I have not gone demanding an answer from this individual myself, I really don't want to spend my energy on it. Yes the lack of credit has bothered me, but I can only think about what should I do about it from now.

I also read an online article recently (Here is the link) that said that the government are planning on bringing legislation in, that means that anybody on the net can use any photograph they find for commercial purposes, if credit for the picture is not made clear with the photograph. The article is called 'Is the UK government trying to kill off photographers?' by Edmond Terakopian. Now I do not know the exact facts or truth behind the story, but I see no reason to disbelieve it. As shown earlier, it is a terrible time for photographers to get recognition for their own work. And saying 'where there is no credit' is the most ridiculous thing I have ever read. I used to naively think that if I filled out all that meta data detail on my photograph, then it would be built into the picture forever, like someone walking round with a microchip inside them. WRONG! It is easy for others to strip a picture of it's meta data, and again only takes a second for somebody to copy a picture, strip you of all credit and leave the picture with no credit, or a credit to themselves. I try not let this stuff bother me, but as the title of the article suggests, it seems that nobody is on our side these days, and could not care whether you benefit from your work or not.

So yes I have become a bit disillusioned recently with the photography scene, but I am now fighting back! I don't mean in an angry way, I would much rather create pictures then fight the world for the recognition of them, but still it is simply a fact I have come to realise that the whole thing about putting pictures on the net with no watermark or frame, is making it ridiculously easy for someone to take credit for your work. I have spoken about putting watermarks and frames on photographs before, but now I have had a change of heart. Whilst I have experimented with watermarks recently, I still cannot bring myself to cover any part of the photograph with a name or logo. I'm not going to argue why, it just doesn't work for me. However, I have decided that all the pictures I create and display on the web now, will come with a frame, and titled signature by myself (see new photograph below!). I know this will not make it fool-proof to stop determined people copying the work, but it would take the more devious type.

I have been guilty in the past of creating new ways to present my pictures, and quickly going back to old habits with no frames or watermarks, but this new presentation is going to stay. Check my Flickr photostream for some of my older pictures I have created with my new white frame! I don't expect it to be popular with everyone, but like changes to Facebook, everyone gets used to them quickly. I must state now (for balance) that I know watermarks and frames are ill-advised by some well established and inspirational photographers such as Trey Ratcliff. He has built his success on the free movement of his pictures around the internet (though of course more importantly great photography!), albeit with a creative commons licence, to counter anyone who uses his pictures for commercial purposes. Though I do not use Creative Commons copyright, I have used the same philosophy with my own work, but it's time to realise that what works for other other people, may not be the best for me. It doesn't help people find your work and get the recognition you deserve, especially if you are not an established photographer. I have to say as well, I do like the new presentation to my pictures, in fact my Wife said she cannot believe I did not present them this way before.

I absolutely welcome any comments or opinions on presentation of photographs online, and indeed about being recognised for your own work. Today's picture is one I took in Chelsea, West London, whilst visiting my brother a few weeks ago. I intend to be back on this blog in a big way now, and apologise to everyone for the absence. Next time: how to create a photo frame such as the one I have employed!

Building a Newbury Sunset

Now I had to check I hadn't posted this photo on this blog before but it turns out I haven't. You may recognise this picture, I have had it on other websites such as Smugmug and Flickr for nearly 2 years now, but looking different. You see I have given this photo the remastered process recently, as I have done a few other pictures.

I have probably discussed on this site more than any other topic, the idea of re-processing a photograph. I have traditionally been against it, but I think (as I stated on The Swan Hotel, Bibury post) that if you have pictures that were taken on a tripod, no matter at what stage of your development as a photographer, you should be able to go back reprocess and improve it. I say 'that were taken on a tripod' because these pictures will normally be the ones that are sharp, with no blur, whether you were a great photographer then or not. And when I took this picture in May 2011 I was not a great photographer, but I did take pictures like this on a tripod, giving me great opportunity years later to revisit it.

I believe I have improved it over my original (sharper, less 'irrelevant' detail, brighter, straighter!) and reprocessing old photos this way will help you realise how far you have come as a photographer. I always liked my title for this picture, and being as the cranes in the photo were only a temporary feature, it means that the photo is unlikely to be able to be taken as it is again. My favourite kind of photo!

The Winter Church

March is not the time of year I expect to be posting winter pictures full of snow, but then the English weather is not providing me many other opportunities at the moment. I take solace in the fact that I know the rest of Europe is pretty much plunged in winter still as well, at a time when most of us are hoping to see some spring. Such is life though, the weather is certainly something we cannot influence or change, so there is no point focusing on it that much.

Having grovelled a little there, I am secretly a bit thankful as well, as the snow allowed me to go up to the village I grew up in, Woolton Hill in North Hampshire, to take some pictures of the village church, or more specifically St. Thomas' Church. I don't normally have this opportunity during the week, so did not waste the opportunity presented on this Saturday morning.

Churches and Cathedrals I find are some of the hardest buildings to photograph. This is usually due to the fact that they are massive structures in sometimes small grounds, meaning that getting the whole church in the frame is a real challenge. For the angle I chose here, I had to (carefully) walk through the graveyard to set up in the corner of the grounds. The bonus of setting up there as well is that I was under some tress, which kept me and my camera fairly dry as I took pictures (as you can tell from the picture the snow was still coming down fast). This was not possible at other angles I took.

This is an HDR picture taken from 5 different exposures. There was a lot of work and time put into this picture, mainly in photoshop to rid it of ghostly artefacts (no pun intended there), clone out some bins and do general clean up work.

Palestine

The Middle East, one of the most tense places you could possibly be on Earth. I have said on a previous blog post that Palestine is perhaps not a place I would visit again. In fact, I was mocked at work the other day because I said it is not a country I would voluntarily go to, which was met with unsuppressed laughter of "but you did!". As dumb as it may sound, I really didn't! I had no idea that the tour we took from Sharm El-Sheikh to Jerusalem (The Holy Land tour) meant going to Palestine as well. I knew we were visiting Israel, and mainly Jerusalem, but I honestly did not know that Palestine was that close to it. I must state though, that it was perfectly safe to visit Palestine, and indeed if you want to visit the birth place of Christ (Bethlehem, for all you who have forgotten your Christmas nativity stories), then you have no choice but to visit Palestine, because that's where it is (likewise Nazareth, which is also associated with Jesus, is also in Palestinian territory, though we were told that it isn't safe to visit there at the moment).

I have also mentioned on a previous blog post that the tour we took was far from ideal for taking photographs, simply because we had so little spare time. So today's picture is rather like like a tourist picture I suppose (albeit one that took me ages to process), but is still a record of my travels there. This is looking away from the Church of Nativity and into the local town area of Bethlehem. It is a 3 shot HDR picture taken with a Nikon D90, processed in Lightroom, Photomatix, Photoshop and Topaz Adjust.

New blog name.....Again??!

Yes, you may have noticed that I have yet again changed the name of this blog. Having only just changed it to Home and Away (not influenced by the Aussie TV show), I have now changed it to the non-cryptic UK HDR Photography. Why? Well, because I have decided that the travel photography blog idea has been done to death, and I don't want to appear in the same vein anymore. Therefore, I want this blog mainly to be about what it mainly contains, which is HDR photography, whether from Britain or abroad. Of course, not every photograph will be an HDR, but this would be stated, and otherwise the blog name would just be Photography, which is unlikely to get me up in the Google rankings.

The Swan Hotel, Bibury

Something a bit closer to home now....Amidst the plenty of pictures I still have to post from Miami and Egypt, I wanted to post this picture of rural Gloucestershire, that I have been working on recently. The picture was taken almost 2 years ago, during the summer of 2011. I was staying at this fantastic hotel in the village of Bibury, and had the evening to walk round with camera and tripod (something I did not use a lot back then), taking pictures of the local area.

I know it's been said many times, but using a tripod I think is perhaps the single most simple advice you can give someone for taking better pictures. Having used a tripod on the evening I took this picture, means I can still get great sharp images from them now, and come back to them with post-processing skills I have developed over time. I did create an HDR of this back then (not published on any website) and though I was already well into my HDR journey, looking back it was still probably over-processed (too saturated) and not at all well cropped!

This is a standard 3 shot HDR picture, processed in Lightroom, Photomatix, Photoshop and Nik Color Efex Pro. Most adjustments, dodging and burning and stuff was done in Lightroom, with some spot-healing done in Photoshop. When using Photomatix these days, I would recommend turning down the Luminosity slider (I used to always have this fully to the right by default). A lot of HDR pictures these days are presented as more realistic, rather than the over-cooked HDR look there used to be, and I think that has a lot to do with turning down the luminosity slider.

New post coming over the weekend!

Jerusalem

Jerusalem, perhaps the most famous and legendary city to ever exist. Wars have been fought over Jerusalem for thousands of years and continue to do so. It has been completely destroyed and rebuilt twice during it's long history, and of course is a key pilgrimage sight for followers of Christianity, Judaism and Islam.

With my Wife and I's holiday to Egypt recently, came the opportunity for an excursion to The Holy Land, with the main focus being Jerusalem. We sacrificed a trip to Cairo in favour of Jerusalem, which given the instability of the Middle-East region, was perhaps a sensible thing to do. Jerusalem is not always a safe and recommended place to visit. Despite the recent Revolution in Egypt, the Cairo tourist spots such as the Great Pyramid and Sphinx are unaffected by these troubles. Although we were delighted to visit Jerusalem, we were not big fans of the tour we went on. We were prepared for the hard work, as we were picked up in Sharm El-Sheikh at 9pm and returned midnight the next day (meaning a bus trip through the night), but we were disappointed that there were hardly any opportunities for free time to explore the old city of Jerusalem.

Of course, excursions and tourist tours are not the ideal way to get great photographs, but our experience from previous tours in Greece was very good. They gave us various explanations at places we stopped, but at the same time gave us plenty of time to explore and take pictures. Now we did pack quite a lot into our day in the Middle-East (Jerusalem, Palestine, the Dead Sea) but it was still a bit annoying that any photos taken were pretty much standard ones everyone else could get. This should not take away from the fact though that visiting Jerusalem was a very special and fascinating experience, that if times are good, I thoroughly recommend.

The picture you see of Jerusalem here is taken from the Mount of Olives perspective, which gives a wonderful view over the old city of Jerusalem. I do not want to call this an HDR, if I could invent a term for it, I would call it a semi-HDR. This is because my original picture is a standard single RAW image, but I created an HDR out of this single RAW file, to bring out more colour and detail. The final picture is the original image, with the HDR elements masked into the main architectural and old city parts. The picture was completed by eliminating the many cranes and other distracting features in the background.

Quick note: This is my first picture from the continent of Asia. Having visited as well Egypt (in Africa) and Miami (in North America), I now have pictures posted in 2013 from 4 different continents (including Europe of course)! Despite my fairly low output so far (this is going to change rapidly), I'm very chuffed with that fact!